10Nov/0924
Basic Jazz Music Theory: Scales in C : Locrian Musical Scales with Root of C: Part 1
Learn how to play Locrianmusical scales in the root of C in this free online music theory lesson on video. Expert: Ryan Larson Bio: Ryan Larson is a young jazz composer whose teaching technique focuses on the basics of music theory in all 12 keys. Filmmaker: Christian Munoz-Donoso
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November 10th, 2009 - 00:03
Meanwhile, I’m still waiting for someone to say why the Lorican mode is useful, when it’s root chord is a diminished chord.
November 10th, 2009 - 00:03
thats a false statement.
November 10th, 2009 - 00:03
You should use either accidentals OR the key signature-not both!
November 10th, 2009 - 00:03
I play both pretty evenly.
November 10th, 2009 - 00:03
are you a guitar player or a piano player?
November 10th, 2009 - 00:03
Phyrgian doesn’t have a diminished fifth. A halfd iminished seventh chord has a minor seventh. There is no such thing as a regular seventh. This video doesn’t explain how to use locrian mode at all, good luck finding one that does, people have a pretty bad understanding of modes in general.
November 10th, 2009 - 00:03
that would be the phrygian mode
November 10th, 2009 - 00:03
thanks for these videos.. i’m good at music theory when written but when i apply it in piano.. i suck big time.. don’t know why.. thanks a lot..
November 10th, 2009 - 00:03
Just watching that spongy Rhodes action makes my hands hurt. I had one and hated it.
November 10th, 2009 - 00:03
lol, that’s funny you write you key signature backwards… to each his own i guess!
November 10th, 2009 - 00:03
Help I got a flat scale, any one have a jack
Actually this is the only I really just couldn’t make sense of, thanks for this vid !!!
November 10th, 2009 - 00:03
awesome! im 13 n loved it! wow im like stupid! lol. awesome! come c my channel n read it and then message me and then add me as a friend! thanks! lol gooooooooood video!!
November 10th, 2009 - 00:03
how come most guys who know advanced theory inside out can’t write a song to save their life?
November 10th, 2009 - 00:03
for a cooler sound, try locrian #2 by raising the second degree of the locrian mode. (#=sharp)
November 10th, 2009 - 00:03
Let me give you another tip to get how this scale is played, instead of thinking af half step up — think Db major scale played from the c. Think that is a more easy way to learn it.
November 10th, 2009 - 00:03
Sounds as unstable as I thought it was going to be
November 10th, 2009 - 00:03
why do you write the key signature in the backwards order?
November 10th, 2009 - 00:03
actually I understanded what he was talking about right after posting… when he talks about the altered fifth, actually he was talking about the dominant of the VII note (wich is the VI in the Major scale) and he plays a Dominant chord with F,C#(alt, since the fifth of F is actually a C) and Eb (skipping the third, an A), and then he plays the VII Bb-7 … in other words, he does V/VII(5+) and then VII
sorry my english!!!
November 10th, 2009 - 00:03
He does play the flat 5th, the scale is correct.
The title is a bit misleading. The Locrian mode of C is B Locrain, this is being built as though D# were the root.
November 10th, 2009 - 00:03
i think this guy is talking bullshit… i didn’t hear any fifth altered.. wtf
November 10th, 2009 - 00:03
Awesome!
November 10th, 2009 - 00:03
well is it so hard to write key signatures the right way around like everyone else in the world does?
November 10th, 2009 - 00:03
does it matter as long as it is the same in the end?
November 10th, 2009 - 00:03
uhhhh you wrote the key signatue the wrong way around!!